Showing posts with label Book Reviews. Show all posts
Showing posts with label Book Reviews. Show all posts

Monday, December 26, 2016

Review: "Streams of Silver" by R.A. Salvatore

Title: Streams of Silver
Author:  R.A Salvatore
Genre:  Fantasy
Publication Date: 1989
Publisher TSR
Pages342

Rating:  4 out of 5

Amazon Book Blurb: 
  
Drizzt Do'Urden struggles with his own inner voices, voices that call him back to the pitiless depths of the Underdark. But louder still are the voices of his newfound friends, and the dream that drives Bruenor Battlehammer on to reclaim Mithral Hall. Time and again they're told to turn back, that some dreams can never be fulfilled, but on they fight -- together.

Review:  The second entry in the Drizzt series is a more personal adventure than its predecessor, The Crystal Shard.  Whereas The Crystal Shard was epic in scale, recounting the strife of an entire region, Streams of Silver stays close to Drizzt's small band of adventurers and their journey filled with both physical and prejudicial conflict.

Drizzt, being a dark elf, and the dark elves being a notoriously evil race, is treated with suspicion, fear and outright hatred wherever he travels.  Being a gentle and noble soul, an aberration amongst his people, Drizzt struggles with his ostracism on a regular basis providing a healthy dose of character progression for the reader to watch unfold.

In fact, a strong theme that's carried on in subsequent books that begins in Streams of Silver is Drizzt's need to prove that he's not like his people. He comes into contact with an assassin who represents everything Drizzt would have become had he stayed with the Drow and accepted their ways.  This assassin is, from what we can tell, Drizzt's equal in combat and stealth, and so Drizzt finds himself seeking vindication for his choice of honor over selfish pragmatism which can only be found in defeating the assassin.

One issue that I neglected to cover in my review of The Crystal Shard is R.A. Salvatore's inclination in these early novels to tell rather than show.  There's a lot of narrative describing our protagonists' honor and empathy.  The reader is often told how a character feels, or about the strength of the bond between characters, but these themes and ideas could would be significantly stronger if a way had been found to show the reader rather than tell.

Still, Streams of Silver was a satisfyingly fun read about a classic group of adventurers off to find treasure and excitement.  If that's your idea of a good time, seek no further.  As King Bruenor might say, "Suren yer not to be disappointed."

Thursday, December 22, 2016

Review: "The Crystal Chard" by R.A. Salvatore

Title:  The Crystal Shard
Author:  R.A. Salvatore
Genre:  Fantasy
Publication Date: 1998
Publisher Wizards of the Coast
Pages340

Rating:  4 out of 5

Amazon Book Blurb: 

Drizzt Do’Urden has settled in the windswept towns of Icewind Dale. There, he encounters a young barbarian named Wulfgar, captured in a raid and made the ward of a grizzled dwarf name Bruenor. With Drizzt’s help, Wulfgar will grow from a feral child to a man with the heart of a dwarf, the instincts of a savage, and the soul of a hero. But it will take even more than that to defeat the demonic power of Crenshininbon, the fabled Crystal Shard.
Review:

The first entry in a very successful thirty-three book series, The Crystal Shard is also R.A. Salvatore's first published work.  He's since sold over fifteen million copies of his books, of which, twenty two have been New York Times best-sellers.  He's done well for himself, displaying a knack for fantasy and adventure, and it all started with The Crystal Shard.

Despite there being a few tell-tale signs of this being a book by a new author, these very minor distractions are swept away in the onslaught of unrelenting adventure and war.  I found myself enjoying the characters and setting so much that any flaws I noticed simply paled in comparison or simply went unnoticed.

The scope of the novel ranges from very personal adventures and struggles to sprawling wars and grand campaigns that engulf the entire region and its inhabitants.  There's politics, resource disputes, tensions and tenderness in interpersonal relations, and a cold, unforgiving setting that's as likely to kill its inhabitants as not.  Most new authors would crumble beneath the sheer scope of the narrative, but like Atlas, Mr. Salvatore carries his massive story line as if he's been doing it since the beginning.  As a result, there's plenty to do in The Crystal Shard's Icewind Dales.

Mr. Salvatore has a knack for describing close-combat, a talent he ascribes to his days as a bouncer.  The action is intense and the stakes are always high.  His story-telling chops don't stop there; he's also a maestro of conveying the ebb and flow of a large-scale battle in a way that still manages to convey the touching themes of tragedy, nobility, and sacrifice.

There's a little something for almost everyone in Icewind Dale.  Go visit sometime.

Thursday, December 1, 2016

Review: "Ave, Caesarion" by Deborah Davitt

Title: Ave, Caesarion
Author: Deborah Davitt
Genre:  Fantasy
Publication Date: October 20, 2016
Publisher Self-Published
Pages534

This product was given to Black Fox Book Review in exchange for an honest review.

Rating:  3 out of 5

Amazon Book Blurb: 
  
A single event can reshape a world—or shatter it forever.

Fifteen years ago, Caesar escaped assassination, and went on to be crowned Emperor of Rome. His son by Cleopatra, Caesarion, carries the blood of Mars, Venus, Isis, and Osiris in his veins—but will the power that the gods have granted him, be enough to secure his hold on Rome after his father’s death?

What of the powers his sister, Eurydice Julia, has begun to manifest, and her puzzling visions that hint at the sacrifices that the gods of both Rome and Egypt will demand of them?

Will they, together, be strong enough to forge a better world than the one their ancestors built?

Return to the world of Edda-Earth, where magic and science coexist and all the gods are real.
And always remember this truth: The end of all things . . . was just the beginning.

Review: This review is somewhat limited in scope. The copy I received for my kindle had some strange formatting issues that I verified are not found in the digital retail copy on Amazon.  As a result,  I'm not sure what formatting and sentence structure issues are unique to my copy.  Thus, I am forced to keep this review limited to an evaluation of its story elements.

Mixed in with the nonfiction backdrop of a recently imperialized Rome is a healthy dose of magic and mythology that gives the setting a relatively unique setting akin to Stiger's Tigers, the review of which you can find here.

I should say upfront that this book contains adult content and some nearly universal taboo themes.  The author tries to keep this from being a surprise to the reader in the Foreword where she encourages readers to keep an open mind by not projecting current day morals on a very different time and culture.

Those who read bodice rippers will probably find it pretty tame.  While Ave, Caesarion contained many references to male and female arousal and the occasional blanket hornpipe, I felt it was still subtle and tastefully done and it served to further specific plotlines.  Still, there was far, far more sexual tension and sexual content than I'm used to.  So if you avoid books containing green gowns, you've been warned and you're welcome.  If that sort of thing is your bag, you're just plain welcome.



This an innocent hornpipe.  Not a blanket hornpipe.  Take note.

The plot pacing was a little off at the beginning, but improved as the story progressed.  Near the start, a key character is giving a eulogy one moment at a beloved's funeral, then the reader is whisked suddenly and without so much as a section break to an attempt on his life which is also brushed over.  These scenes would have been wonderful storytelling opportunities; the assassination attempt could've been a very exciting conflict, but received only a cursory treatment which I found disappointing.  Again, this sort of scene-skipping was only prevalent in the beginning.  There were also instances of head-hopping throughout.  This kind of third-person omniscience within a single scene has to be treated carefully, and many, myself included, prefer to avoid it altogether.  It wasn't confusing, however, and as such is acceptable by literary standards.

Another issue that occasionally presented was awkward sentence structuring.  E.g.: "Was going to ask you to go to Athens for me.  Will take three months, probably."  Now, this being dialogue gives the author a lot of leeway given its usually casual nature.  I've heard people drop the starting pronoun just like in the first sentence enough that it still works for me.  It's rare in written dialogue, but it doesn't quite cross the line into awkward territory.  The second sentence on the other hand, I do find awkward.  And then there were cases similar to this that were not dialogue, internal or otherwise.  Exposition that isn't internal dialogue really shouldn't ever be casual like this, and unfortunately, Ave, Caesarion contains a few instances.

I found the ending to be a tad anticlimactic.  There came a point when our protagonists' military campaigning came to an end when their taboo activities became public knowledge.  It's at this point that only the potential for political conflict is present, but no real political conflict really presents itself.  There's some overheard backbiting, but nothing overly threatening.  There's only the potential for threatening conflict, and that's not good conflict to rely on just before a climax.  The book winds up with a very showy climax, but without a stronger conflict that actually manifests itself, this climax is wasted.

Now, after having pointed out the various flaws and weaknesses of the story, I come to the point where I broadly paint a picture of why the book is still a worthwhile read. 

I'm generally reading several books at any given time, so it's noteworthy that while I slogged through the other books I was reading at the time which were all written by established and traditionally published authors, Ave, Caesarion was the book I kept falling back on when I was tired of trudging through these other books' frequent lulls.  The premise, setting and characters all kept me interested and invested throughout the book.  Ultimately, despite the detractions I outlined earlier, I enjoyed the book quite a bit.  I fear that due to its imperfections, its appeal will be greatly limited to readers who have a preexisting interest in fantasy and the Roman Empire such as myself.


While I can't confirm the author's accuracy, it seemed apparent that Ms. Davitt really did her research on ancient Roman culture.  There are a number of rituals and holiday traditions I'd never heard of before that helped tremendously with immersing me in the setting.  There's also a considerably sized glossary of Roman terms at the back of the book that sheds additional light on the the unique aspects of the culture of the Roman Empire.

In all, Ave, Caesarion is an enjoyable read for those who enjoy fiction based in ancient Roma and don't mind a little horizontal mambo mixed in.

Do you have any books you'd recommend to others?  Let us know in the comments below.

 

Saturday, November 19, 2016

Nana Upstairs & Nana Downstairs

Title: Nana Upstairs & Nana Downstairs
Author: Tomie dePaola
Genre:  Children's
Publication Date: April 25, 2011
Publisher Puffin Books
Pages32

Rating:  5 out of 5

Amazon Book Blurb: 
  
Tommy is four years old, and he loves visiting the home of his grandmother, Nana Downstairs, and his great-grandmother, Nana Upstairs. But one day Tommy's mother tells him Nana Upstairs won't be there anymore, and Tommy must struggle with saying good-bye to someone he loves.

Review:  This is a classic children’s story about a boy’s relationship with his grandparents. Tomie dePaola based the book on his real grandmother (Nana Downstairs) and great-grandmother (Nana Upstairs). His portrayal of Nana Upstairs was a spot-on description of what many elderly loved ones experience—living with one of their children, spending most of their time in bed, having trouble sitting up in a chair, to name a few. I loved how he took a simple, honest approach to the death of Nana Upstairs. He avoided any playful wording around the issue of losing grandparents, which will help young children understand that, though sad, this is a normal event that many children will experience. He even gave young children a way to remember those they’ve lost by using a falling star to signify a kiss from Nana Upstairs. He left the reader reminiscing about their own grandparents and feeling a kinship with what Tomie went through.

Tomie dePaola is also a very talented illustrator and does most of his own books. I’ve always loved how his characters have a roundness to their features that makes them so very charming. The old women usually remind me of the stereotypical Mrs. Claus, and this book holds true to that style. The version I checked out from the public library is a later edition, which dePaola explains was a change from the originally published work of 1973. The pictures are more vibrant and full of texture and detail than the original, enough to keep my three year old entertained through the whole book! It’s definitely a go-to book to read to children of any age who have experienced loss.

Star Wars: Darth Bane Trilogy - Legends

Title: Star Wars: Darth Bane Trilogy
Author: Drew Karpyshyn
Genre:  Science Fiction
Publication Date: September 1, 1998 (US)
Publisher Lucasfilm Ltd. (US)
Pages1009 (2009 US edition)

Rating:  2 out of 5

Amazon Book Blurb: 
  
After a high-stakes card game ends violently, Dessel, a lowly miner, vanishes into the ranks of the Sith army and ships out to join the war against the Republic and its Jedi champions. There, Dessel’s brutality, cunning, and exceptional command of the Force swiftly win him renown as a warrior. But in the eyes of his watchful masters, a far greater destiny awaits him . . . if he can prove himself worthy. As an acolyte in the Sith Academy, studying at the feet of its greatest masters, Dessel embraces his new identity: Bane. However, in order to gain full acceptance into this chilling Brotherhood, he must surrender completely to the dark side. Only by defying the most sacred traditions of the Sith can Bane hope to triumph—and forge from the ashes a new era of absolute power.

Review: I jumped into this trilogy as soon as it appeared on my Kindle, a digital gift from my son. I immediately identified with Dessel’s struggles as a sweaty manual laborer trying to break free of the enslaving debt that his deceased father had bequeathed to him. I was also intrigued by the promise his special gifts held for future freedom, fame and fortune.

As his life circumstances forced him into a career as a mercenary soldier in an army of Sith, transforming him into an archenemy of the Jedi Order, I could not help hoping redemption from the dark side would eventually come.  But when he donned the dark lord identity of “Bane” I couldn’t resist mentally rolling my eyes a bit. 

The first book began fresh and fast-paced and then seemed to settle in for a long ride toward the final chapters as if to prolong the ending. I slogged through the second book which, looking back on it now, seemed to rely overly much on Bane’s discovery of ancient Sith artifacts in tombs for his meteoric rise to top Sith Lord. Although Bane is not naturally the brightest Sith that ever lived, he is somehow the only one to crack into the most powerful secrets of infamous tombs and pyramids after thousands of years.

After he concludes that the Sith army’s problem is its abandonment of the Rule of Two, Bane plots to kill off every Sith in existence except for one who is worthy to be his apprentice, the one destined to eventually challenge him in mortal combat and replace him or die. I understand Bane’s aversion to a Sith “brotherhood” but am I the only Star Wars fan struggling to see how destroying every Sith in the galaxy save for the apprentice is a smart path to Sith dominance? I would have preferred a tribal equilibrium more like that of the Spider Queen culture in the Forgotten Realms books where the social dynamics based on hate and fear quickly rebalance in the wake of every bloody coup or assassination. How can the Sith rule an entire galaxy when its society is reduced to a single Dark Lord at the end of each leadership stint?

The body of the story is pocked with some serious mistakes by Bane that disappointed me. His best candidate for an apprentice – sufficiently wicked, power-hungry, treacherous and traitorous that she qualified with flying colors – is killed by his first mass destruction plot. Then he settles for a youngster without any evil experience whatsoever to be his apprentice.

If the galaxy in the story is anything like the Milky Way, it would have about half a billion habitable planets. So, it stretches credulity that the Jedi Order is fooled into thinking that all the Sith would gather at one place and allow themselves to be killed in a single event. Are the Jedi that gullible and the Sith that stupid?

As if to compensate for the loss of the Sith’s force of numbers, Bane’s advantage for several years is anonymity while he pieces together his master plan to wipe out the Jedi, although the reader is not made privy to the ingenious details. Either the author figured the reader would be bored or confused by such trivia or too stupid to understand (or the author didn't have the details either). Bane’s apprentice isn’t privy to such details either. As if to keep the reader occupied as the years slip by, the story has Bane track down more and more long lost Sith lore that enables him to become insanely powerful. Yes, insane and powerful. The skills of the best Jedi pale by comparison. The years slip by without any visible progress on taking down the republic. Bane’s only real enemy seems to be himself for a while. Finally, Bane’s veil of anonymity is blown as his uncharacteristic sparing of a teenage Sith-wannabe catches up with him.

More years slip through Bane’s fingers without much happening other than the waning of his skills as he ages and succumbs to the side-effects of the force and parasites that feed on it. The major source of suspense is the question of how and when Bane’s apprentice will try to strike him down. Other characters such as revenge-seekers are brought into the story to keep it going and boring background narratives are included for context. I found myself skimming to find the next action scene.

It’s a curious thing that any flow of talent seemed to be from light to dark side only. I kept waiting for one of the ex-Jedi traitors to think better of their decision once they experienced the dark loneliness of life as an evil self-serving Sith. I also expected some degree of romantic passion to weaken the dark resolve of Bane or his apprentice momentarily. But nothing other than sterile Sith darkness ruled those two until the end. The story felt like one book that, with effort, was stretched into a trilogy. The beginning of the first book was interesting and the end of the last book was interesting. If you bog down in the first book, bail out and jump into the middle of the third book to see how it ends.

SPOILER ALERT: The clue given at the very end of the trilogy, confirming that what the reader expected in the final scene actually happened, was clever but biologically nonsensical.

Did you love the whole trilogy?  Does the Rule of Two make sense to you? Please comment below!


Sunday, November 6, 2016

Review: "Thunder Moon" by Joanne Mallory

Title: Thunder Moon
Author: Joanne Mallory
Genre:  Fantasy
Expected Publication Date: January 17, 2017
Publisher Crooked Cat PublishingCrooked Cat Publishing
Pages145

This product was given to Black Fox Book Review in exchange for an honest review.

My Star Review: 3 out of 5

Book Blurb: 

Thea Lavelle has a lot to juggle: a teaching career that is ramping up, keeping tabs on her globetrotting family and fine tuning her craft.

Thea is a hereditary witch whose gift came late. She’s still learning exactly what her wayward magic can do, but on meeting Marc, her best friend’s brother, she soon discovers her magic has some firm ideas about it wants.

The fates have been pushing Marc back home, to the bay of his teenage years. He knows that grief and guilt have left him burnt out, and that his family’s particular skill with healing is the best place for him.

He’d left home not knowing what he was searching for. Could it be that she’d been in Langston Bay all along?

Thunder Moon is the first novella in a trilogy of love, family and age-old magic.

Review:


First off, let me admit that I totally judge books by their cover. And when I saw this cover, I swooned a little bit. It drew me in, and convinced me that this story about a witch discovering her gifts would be a magical treat. This will be author Mallory's debut novel, not due to be released until January 2017.

I really enjoy Mallory's description of the novel's setting: a beach village where the locals all know each other. I can feel the sunny breezes, and the salt of the rising tides. I assume the story takes place in England, judging by the author's vernacular. And though the town of Portsmouth is mentioned several times, a bit more detail on the location would probably be helpful to the average American reader.

Mallory's detailed depiction of the area's scenic nature lends itself to the magical plot. Thea draws her power from the area, and frequents a copse of trees where the spirits speak to her. Now, I am absolutely no stranger to magical fantasy novels. I was, however, taken aback at how REAL the magic in this story was made out to be. I am a bit uncomfortable with how commonplace and natural the characters' magic blends into the real world. Thea never has to struggle to hide or explain her powers to non-gifted people, which I thought was a missed opportunity for dramatic development. She is still learning what she can do, but there is nothing incredulous in her experience. She just seems to accept it far too smoothly and easily.

My main criticism of the novel is the length. At 145 pages, it doesn't allow for adequate character development and growth. I really enjoy Thea, Ellie, and Marc. I feel like we became fast friends in a short time. However, I wanted to know more about their background. I wanted them to have to struggle through a few more obstacles before we reached a happy ending. And, to be honest, I wanted more fantasy. Too much of the book felt like regular old adult fiction, in a lovely beach setting, with some erotic love scenes thrown in for good measure.

Aside from these few gripes, and a few editing errors, I enjoyed Mallory's writing style. I hope to see her grow as an author in the future.

Saturday, November 5, 2016

Review: "A Court of Thorns and Roses" by Sarah J. Maas


Title: A Court of Thorns and Roses
Author: Sarah J. Maas
Genre:  Fantasy, YA
Publication DateMay 5, 2015
Publisher Bloomsbury USA Childrens
Pages:  448

My Star Review: 4 out of 5

Amazon Book Blurb: When nineteen-year-old huntress Feyre kills a wolf in the woods, a beast-like creature arrives to demand retribution for it. Dragged to a treacherous magical land she only knows about from legends, Feyre discovers that her captor is not an animal, but Tamlin--one of the lethal, immortal faeries who once ruled their world.


As she dwells on his estate, her feelings for Tamlin transform from icy hostility into a fiery passion that burns through every lie and warning she's been told about the beautiful, dangerous world of the Fae. But an ancient, wicked shadow over the faerie lands is growing, and Feyre must find a way to stop it . . . or doom Tamlin--and his world--forever.

Review:

After reading Throne of Glass, earlier this year, I knew I would be keeping author Maas on my radar. She has an easy, enjoyable writing style, and though her books have a home on the "Teen" shelf in my local library, they are not childish. I would not necessarily recommend A Court of Thorns and Roses to teenagers, however, because of the violence and sex. Call me a prude, but I won't let my daughter read it until she's 20 and married.

That being said, I do recommend this book to more mature readers. I was surprised that the story has elements of a Beauty and the Beast re-write, but it is different enough from the original. The plot twists that reveal themselves are original and captivating. This was a book that I didn't want to put down.

I like the main character Feyre. She tries to do the right thing without being too much a martyr. And while Tamlin is written less well, he does show some personal growth. I hope to see his character improve in the sequel. Their romance is a bit too instantaneous, and it's obvious from the get-to that they will end up together. But I'm a sucker for happy endings, so I'm okay with that. Then there are the villains, who were the right mix of beautiful and evil. They made my skin crawl. Well done, Maas.

Review: "The Diamond Head Deception" by James Blakley


Title: The Diamond Head Deception
Author: James Blakley
Genre:  Mystery, Thriller
Publication Date: October 12, 2015
Publisher Inkwater Press
Pages:  216

This product was given to Black Fox Book Review in exchange for an honest review.

My Star Rating: 1 out of 5

Amazon Book Blurb: 
  
Trouble in Paradise - After putting Iowa crop insurance cheats out to pasture independent insurance fraud investigator Luna Nightcrow heads to Hawaii, but not for a vacation. The Shilpa, an Indian ocean liner, sinks and Luna is hired to determine if it still carries "Pacific Splendor" (a rare diamond insured for $15 million). The trouble is that Luna's not the only one looking for the diamond. Secessionists, sportsmen, and other suspects might sink to any depths to recover or smother Pacific Splendor. Action, mystery, and romance abound as Luna dares to look around.

Review:

The third self-published novel by author Blakley, The Diamond Head Deception has a plot that at first glance seemed intriguing. However, I quickly regretted my decision to read this book. Before the first chapter was over, I had a running list of reasons why I wouldn't enjoy finishing the story. Let's itemize them, shall we?

First off, too many nicknames were introduced right off the bat. We are already trying to keep characters straight (which bad guys are into what kind of schemes, which good guys work for which organization, etc). Then we meet Barnabas "Barney" Aikers and Charlene "Charly" Barns (Alias Clover Fields). It was a bit much to take in all at once.

Secondly, the point of view was all over the map. Classic rookie writing faux pas. The reader thinks he's experiencing the story from Luna's point of view, third person limited. However, we are treated to some of Barney's internal dialog, which seemed to be the only way the author could figure to quickly reveal the perpetrators' plot: "Barney asked himself, Was paying crop inspector Clyde Tiller to fake damage to my crops worth this?! And me, selling the real production under a fake name!" I won't even comment on the awkwardness of those sentences. Whoops... I guess I did comment.

My third gripe, which applies throughout the novel, is my skepticism at the role that Luna, the insurance investigator, plays. As far as I know, insurance investigators conduct background research, monitor online and social media activity, and may take video or photo surveillance. In Blakley's novel however, Luna carries a concealed weapon, chases bad guys, and runs over concession stands with a "6R Series John Deere" tractor. And that's all in the first chapter.

The remainder of the novel was riddled with editing errors, superfluous commas, and awkward sentences (e.g.: "The sky was blue, and so was Nani's mood becoming (though it was to be a darker shade).") There was also an odd propensity toward naming specific models of technology. I always knew exactly what model of smartphone the characters were using. Maybe the author was trying to lend credibility, but it was too distracting. Finally, the romance mentioned in the blurb was virtually nonexistent, and I felt that Blakley's portrayal of Luna's feminine feelings was at times a bit chauvinistic.

I did appreciate the fast-moving plot, but the action scenes were sometimes choppy and confusing. I liked that the ending wasn't entirely predictable. However, and won't come as much of a surprise, I cannot recommend this book.

Saturday, October 22, 2016

Review: "Stiger's Tigers" by Marc Alan Edelheit

Title:  Stiger's Tigers
Author: Marc Alan Edelheit
Genre:  Fantasy, Military
Publication Date: March 23, 2015
Publisher Telemachus Press, LLC
Pages315

Rating:  4 out of 5

Amazon Book Blurb: 
  
The empire has endured many centuries but is now threatened by multiple wars and a major rebellion in the South. A nobleman from an infamous family, imperial legionary officer, fighter and a right proper bastard of a man… Captain Ben Stiger finds himself reassigned from a crack legion to the rebellion simmering in the South. Placed in command of a truly terrible company, the 85th Imperial Foot, he is unknowingly sent on a suicide mission to resupply an isolated outpost, the garrison of Vrell. Along the way he must rebuild his new company, gain the respect of the men he leads, survive an assassination attempt, fight bandits, rebels, and an agent of an evil god. His companions on this journey of discovery and adventure are one of the few remaining elven rangers and a paladin on a quest for the High Father. The battle to save the empire and the world begins here in the first book of this exciting new series!

Review:  The world Mr. Edelheit has created for his book series is an interesting blend of high fantasy with a heavy dose of Roman Empire culture.  It's not historical fiction since the empire in the book is not the Roman Empire nor does the story take place in a real geographical location.  No, this book is mostly fantasy while relying heavily on bringing in elements of the Roman Empire's military and politics to give Stiger's Tigers a distinct flavor from other novels of the genre.  Those looking for a hardcore Roman Empire experience will probably be disappointed.  I'm not a historian but I'm fairly sure that the military structure isn't quite true to form.  Again, this will probably only bother the Roman Empire aficionados looking for something more historically accurate.

One of the most interesting attributes of the Roman Empire is its incessant political intrigue and Mr. Edelheit wastes no time in introducing some of his own.  We're shown hints and shadows of imperial power plays taking place behind the scenes.  Stiger, our stereotypical no-nonsense gruff but caring commander, has no patience for political games but finds himself in the middle of them anyway which always makes for an interesting read.

Stiger comes from a noble family that has a reputation for being overly harsh leaders.  This reputation is so well known that whispers and fear accompany Stiger wherever he goes.  And while Stiger is clearly a man relentless in his duty there were times when I found it hard to reconcile his caring nature, his cold pragmatism and his over-boiling anger.  I couldn't quite nail down exactly what I expected of him at any given time.  At times he felt the burden of the men's welfare heavily on his shoulders while at others he was eager to kill men who made him angry.  But then again, I've experienced similar whirlwinds of emotion so perhaps Stiger is more real than I give him credit for.

A lot of the book deals with the struggle of military training and the difficulties it presents for not only the men that are subjected to it but also the commander who is ultimately responsible for their welfare.  I was fascinated by all that that had entailed, from building a proper fortification to arms training.  It kept me engrossed in the book as they struggled with their lot in the military.

Turning a bunch of dirty peasants into a cohesive unit ain't easy.
I think the biggest issue that readers are going to have is feeling that there's a lack of conflict or plot.  A great deal of the book addresses Stiger's burden of being given command of a pathetic group of soldiers and turning them into true legionaries, all of which occurs before they even begin down the road to their true objective.  Given that this is a book about a military company, most readers will probably be looking forward to conflict in the form of battles and will be disappointed when the fights they were looking for are quick and towards the end of the novel.  But to say that the book lacked a plot would be a mistake.  The entire training section of the book is its own plot, it's own conflict.  It's not military in nature.  The conflict that dominates the first half of the book is the looming specter of failure.  Stiger constantly wrestles with the idea of failing to make something out of his sorry lot of soldiers as well as the idea that poor training will lead to more deaths being on his already burdened conscience.  There's significant conflict, it's just not in the form most readers will expect.

When there was violent conflict the book didn't shy away from the violence but it didn't wallow in it either.  While talk of swords scraping past ribs might be too much for children, the average adult will probably be okay with it.

Despite the book listing a publisher, this is a self-published book (See A Note For Self-Publishers below).  I only researched the publisher after finding a considerable number of typos, missing words and punctuation errors:  quotation marks at the end of a paragraph that preceded more dialogue from the same speaker, misuse of semi-colons and—every author's weakness—overusing commas.  The punctuation issues lighten up considerably as the book progresses signifying Mr. Edelheit's continuing improvement as a writer and while these issues bothered me at first, I kept reading because I really enjoyed his writing.

I enjoyed the book immensely.  I loved the Roman Empire's dominance in both politics and warfare as a youth and find myself still admiring the dedication to form and function laid out in Mr. Edelheit's pages.  I'm a picky reader and so I usually have between two to six books that I switch back and forth between.  Should I encounter a lull or particularly uninteresting plot point in one novel I've got plenty of backups to refresh my palate.  I didn't need them for Stiger's Tigers.  It kept me engrossed throughout, which, coming from me, is quite the complement.

Also, it's the first book I've read that uses the proper measurement for wood:  cord.  As the son of a man who was a logger in his youth, I appreciated it.



A Note For Self-Publishers: 
Telemachus Press, LLC has made a non-fan out of me.  It appears that they charge thousands of dollars to give you a cover and format your novel into the correct format for a number of platforms.  Now, a top-notch book cover is about $700 and finding someone to do your ebook formatting for much cheaper is easy.  The formatting is so simple though, I don't see why anyone wouldn't spend an hour on a Saturday morning to do it themselves for free.  None of these options requires handing over your rights which seems to be Telemachus Press's big sales pitch.

But not only do they overcharge in my opinion, they also kinda failed in their delivery.  The font size wasn't kindle standard.  It was incredibly tiny and had me changing font size every time I went to another book or came back.  They also missed an extraneous line return.  And the cover is mostly nice but there's a glaring perspective error that immediately drew my eye.  The crests and plumes on the soldier's helmets are crooked.  They're almost diagonally positioned on the helmets, facing too far the the soldier's right.  Also, as a professional cover creator informed me, using the same font for every line on the cover is one of the first signs of an amateur at work.  For the kind of money Telemachus asks, they should've delivered something of a higher quality.

If you want additional editing services from them—the kind that actually improve a novel, those cost a lot extra.  If you're self-publishing the two things to spend money on are a quality cover and a thorough line editor.  Don't waste money to have someone do your ereader formatting for you.  You can visit Telemachus Press and view their quaint but functionally useless menu here.


Monday, October 17, 2016

Review: "Ravenor" by Dan Abnett

Title: Ravenor
Author: Dan Abnett 
Genre:  Science Fiction
Publication Date: 2004
Publisher Games Workshop
Pages416

Rating:  4 out of 5

Amazon Book Blurb: 
  
When his body is hideously damaged in an enemy attack, it looks as though Inquisitor Gideon Ravenor's promising career would be abruptly brought short. Now, encased in a life support sytem that keeps him alive but forever cuts him off from the physical world, Ravenor utilises his formidable mental powers to continue his investigations and thwart the machinations of Chaos. Along with his retinue of warriors and assassins, Gideon Ravenor fights to protect an Imperium he can no longer see, hear or feel.

Review:  Ravenor takes place in the Warhammer 40k universe which is easily one of the greatest examples of lore-creation in the greater Sci-Fi and Fantasy genres.  And in this universe, Dan Abnett is king.  Or God-Emperor if you prefer.

Speaking of heresy, there's something about the all-powerful inquisition and its agents of the throne that draws readers in.  Answering only to the Emperor, who isn't saying much from his golden throne, the only check to their power is their fellow inquisitors.  That isn't to say that agents of the inquisition go around throwing their limitless power in everyone's faces.  More often they work in secret as to prevent the vile elements they hunt from going to ground.  But the mix of clandestine work they perform as well as the occasional demonstration of absolute authority satisfies a craving I had that I wasn't aware existed.  Dan Abnett is particularly adept at weaving these two approaches into a compelling narrative.

If you were to check my kindle's dictionary you'd find that almost all of the words I've looked up while reading were from Dan Abnett's books.  His vocabulary is impressive and refreshing for logophiles:  Caromed, funicular, balmacaan.  These are just a few interesting words I picked up to help me sound pretentious when I'm chatting with my three year old.

Anyone familiar with the Warhammer 40k universe is also familiar with its often gruesome nature.  While not as constant or quite as visceral as the more war-oriented novels, Ravenor still has its moments.  Mr. Abnett is a master of description.  He perfectly captures the essence of any given scene and moment in time.

On the other hand, his love for a perfectly set scene can also be a hindrance.  I've found myself sifting through several pages that describe the setting in an incredibly detailed and time-consuming manner that left lulls in an otherwise engaging plot.  However, I've noticed that this is a matter of preference among readers.  I know many get upset by Orson Scott Card's lack of scenery description.  He prefers to leave as much as possible to his reader's imagination.  I know many readers prefer Mr. Card's briefly descriptive style.  I think, however, that most of us fall somewhere in the middle of the two extremes.  So be aware that Mr. Abnett tends to fall on the very descriptive end of the spectrum.

Those who've read Mr. Abnett's Eisenhorn series are aware that those novels were exclusively first-person narrative which, as Mr. Abnett himself has said, can be hard on a story as it strongly limits what an author can present to the reader.  He works around this problem while keeping a little Eisenhorn flavor in Ravenor by presenting every character's viewpoint as third-person with the exception of Ravenor himself who is presented in the first-person.  It sounds a little awkward but I thought it worked well.

The biggest hindrance to Ravenor is that the character for whom the book is named, Ravenor, is never actually 'seen' by the reader.  Having been horribly wounded by a previous terrorist attack, he resides inside an armored 'chair'.  We hear his thoughts and his monotone voice when he uses his 'chair's' speakers but this leaves very little humanity in the character with which the reader can cling to.  As a result, Mr. Abnett spends a lot of time writing from the perspective of members of Ravenor's coterie.  Having said that, it didn't really bother me but I strongly suspect it will bother others.

Summing up, I enjoyed the book immensely and I guarantee that any fan of dark sci-fi will also be satisfied.

Do you have questions?  Are you an ardent WH40K fan who noticed a heretical mistake in my review?  Let me know in the comments below and may the God-Emperor take mercy on me.

Thursday, October 13, 2016

Review: "Divergent" by Veronica Roth

Title: Divergent
Author: Veronica Roth
Genre:  Science Fiction, Dystopian, YA
Publication Date: April 25, 2011
Publisher Katherine Tegen Books
Pages487

Rating:  1 out of 5

Amazon Book Blurb: 
  
One choice can transform you. Beatrice Prior's society is divided into five factions—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). Beatrice must choose between staying with her Abnegation family and transferring factions. Her choice will shock her community and herself. But the newly christened Tris also has a secret, one she's determined to keep hidden, because in this world, what makes you different makes you dangerous.

Review:  Published in 2011, Divergent is Veronica Roth's first novel.  The first of a series by the same name, Divergent reflects the voracious appetite readers at the time had for post-apocalyptic literature.

The story is entirely from the viewpoint of sixteen year-old Tris who's forced to undertake a social sorting test that separates them into separate and distinct factions—not unlike the houses of Hogwarts—that dictate their members' roles in society.  These factions come complete with initiations and manifestos that emphasize their respective ideal virtues.  It's discovered during Tris's sorting test that she doesn't fit neatly into any one group.  In other word's, she's special.

I'd heard of this book when I came across it on Amazon but I was immediately snared by the potential the world setting offered.  An entire society formally divided into factions by their values?  I could just imagine the possibilities.  Unfortunately, I found that potential to be largely wasted.

I was quickly bothered by the facile nature of the world Veronica had built.  Perhaps I've been spoiled by the likes of J.R.R. Tolkien and George R. R. Martin, but I expect my fictional worlds to survive the most cursory of internal logic tests.  In this, Divergent fails.

The characters tended to be fairly shallow and predictable in the extreme.  Their goals rarely extended further than than the scene that contained them.  I found the dialogue to be similarly shallow and unrealistic.

The plot twists were predictable.  The writing was often as subtle as a Leslie Nielson movie.  Maybe I'm giving the young adult genre too much credit but the characters and plot were about as surprising as a form-fittingly wrapped Christmas present.

I'm genuinely surprised at the praise this book has received.  There wasn't anything exemplary about the book except for the setting's concept which turned out to be poorly developed despite its potential.  I'm fairly certain that the reason Divergent obtained such an impressive level of success can be narrowed down to its impeccable timing.  Publishers and readers alike were hungry for another Katniss Everdeen story.  Another story about a young women who had more handsome romantic prospects than she knew what to do with.

Now, don't get me wrong.  I try to support new authors.  I wish Veronica the best in her writing endeavors.  It could very well be that I'm not a fan of the simplistic style she uses, a style exemplified in her website's biography:
I’m Veronica. I write books for young adults. Specifically, I wrote the books Divergent, Insurgent, Allegiant, and Four: A Divergent Collection. 
I like things. Some of those things are (in no particular order): Harry Potter, rain, YA, books, puns, cute animals, tea, sitcoms, grammar, writing, Chicago, Doc Martens, trains, flat stretches of prairie land, cold weather months, and so on.
It's very possible I'm missing something that her fans are picking up on.  After all, her books are adored by millions.  They can't all be wrong.

Were you a fan?  Let me know why I'm wrong in the comments below!